Now in Development
Beach St Productions & Redman Entertainments
Bob Hope appears in this screenplay with the permission of the Bob & Dolores Hope Foundation. Use of his name and likeness is licensed through agreement with the Foundation.
The Road to Hope
Set in the small coastal town of Laurieton, NSW, Australia, in August 1944, The Road to Hope blends nostalgia, humour, and heart with a unique brush of Hollywood magic. When Bob Hope’s USO troupe makes an emergency landing, a quiet town is transformed over the course of a couple of days. It’s a story about youth, community, and the moments that shape us in the spirit of Stand By Me and My Week with Marilyn.
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Producer: David Redman
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For Beach St Prods; Julie McBeth
Writer/Director: Leigh Sheehan
Production Designer & Poster: Ralph Moser
Music: John Foreman
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The Bob & Dolores Hope Foundation has no financial involvement in this production and will not benefit from any monies generated by its release
Hello,
I
Must
be going
​Hello, I Must be Going
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Screenplay: Leigh Sheehan
The film opens in 1933, behind the scenes of Paramount Studios during the production of "Duck Soup," capturing the Marx Brothers at a pivotal moment. As Zeppo announces his departure from the act, the brothers gather, prompting a nostalgic journey through their past.
Flashbacks transport us to their humble beginnings in Brooklyn, where young Julius (Groucho) dreams of fame. Encouraged by their indomitable mother, Minnie, and guided by their vaudevillian uncle, Al Shean, the brothers, Chico, Harpo, Groucho, Gummo and Zeppo form "The Four Nightingales." Their initial performances are met with indifference, but through perseverance and Minnie's unyielding belief, they hone their comedic craft.
The narrative delves into their early struggles, including a failed silent film endeavor, highlighting the challenges of transitioning their act to the screen. Despite setbacks, their unique brand of humour evolves, leading to their Broadway successes with shows like "The Cocoanuts" and "Animal Crackers." Their journey is marked by personal sacrifices, sibling rivalries, and the ever-present pressure to innovate.
Returning to the present, the brothers confront the changing landscape of entertainment and their uncertain future post-Paramount. Through candid conversations and comedic exchanges, they reaffirm their bond and commitment to their art.
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"Hello, I Must be Going" is a heartfelt and humorous exploration of the Marx Brothers' legacy, celebrating their resilience, familial ties, and the timeless impact of their comedy.
Illustration from the Book Art Ducko